Sunday, March 20, 2016
watercolor on paper, 2016
It may have been the winter that never was here in Vermont, but I suspect there will be a bit more winter mixed with the spring that arrives this week. With most of my work time devoted to the third draft of a book right now, I'm taking a moment, on this quiet Sunday morning, to share a look back and a look ahead.
Letting winter go, I share this short video combining most of this year's winter watercolors with new music for lap steel and laptop:
Sunday, March 06, 2016
Third drafts, I find, can be somewhat geological. With the story and characters --mostly-- what they will be, I now come across veins, lodes, and layers of theme and mood, character and development. Through rewrite and revision I can polish and clarify, connecting and revealing these things. It’s like discovering secrets within my own book. The third draft is also a good time for digging deeper into historical research and map work—fine-tuning details of background and location.
After this, in the drafts that follow, a painterly metaphor might better describe the process— working with subtle tints and brushstrokes that will bring out detail, shadow, and highlights.