Tuesday, January 01, 2013

And then we were awake...



 
And then we were awake in a world that was, if not new, certainly noticeably changed.

We began to notice the elegant symmetries of shapes and shadows in the motions of water, sky, and landforms. We heard all around us, as the sky filled, the music of migration, its massive vibration.

 In our hearts we began to know just how everything pulsed in waves of delight-- crest and trough, crest and trough; That every locus of change was pure opportunity:  for reflection, communion, renewal, and light.


                                                                -Kevin Macneil Brown
 

Monday, December 31, 2012

My Last Song for 2012

Started this in August, finished it today. Voice, guitar, dobro-- my last song for 2012.

-KMB

Thursday, December 13, 2012

CALLS MY HEART HOMEWARD

CALLS MY HEART HOMEWARD is a gathering of the shorter contemplative compositions I created during 2012. These pieces are inspired by the textures, colors, and feelings I have found in my journeys through and into New England landscape and memory.

Sunday, October 21, 2012

In Autumn the Dark Shapes of Distant Mountains...

    A heart-piercing autumnal yearning and memory came from the sight, at Kents Corner beneath pewter sky, of that almost-bare maple tree with its sparse scrim of red leaves; the 1800s white house and, beyond its dooryard, the eastern uplands at the far edge of rolling hills and farmlands…
   How many ways will I need to write around and about and into this scene?  Will I ever get to the heart of the ancient homesick joy that it stirs inside me, the invisible distant horizon that holds the far-away White Mountains I once called home and then the shimmering Gulf of Maine beyond? -KMB

Wednesday, October 10, 2012

Wednesday, October 03, 2012

A Book's Beginnings: thoughts on THE LAKE OF LIVING WATER.




    I remember the exact moment that THE LAKE OF LIVING WATER, my sixth novel, was born. I was running in the woods on a November afternoon in Vermont. The air was cool-- almost cold-- and smelled of evergreen and tannin. The long shadows of pines were intersticed with reaches of wan, hollow, almost–winter New England sunlight.

    As I ran, two visions appeared in my mind’s eye-- simultaneously, as I remember it. I saw the image of a man sitting alone in a room inside a cold, dark, stone tower. He was looking out a window and across the broad expanse of Lake Champlain, at the patterned skeins of late autumn sunlight that moved and shimmered on the water.

  The other image that came was that of a book… a small book, to my surprise, full of white space around blocks of text, of stories written in many voices.

   I knew that the book would tell me who the man in the tower was. And I knew that I would have to write the book.

    

     Those who have read my other books, my poems, who have seen my paintings and listened to the music I compose, will know about my fascination with the nature, history, geology, and PRESENCE of Lake Champlain—in particular the shoreline and waters  of Burlington Bay. This future book, I knew in the moment of its apparition, would have this locus itself as a main character.

      I had, that fall, just finished reading John Cowper Powys’ A GLASTONBURY ROMANCE, and that novel was still looming large --it is, after all, more than 1,000 pages long-- in my thoughts. I was captured by its sense of place, of mystery, of intersecting lives. I suppose, then, that I was being called to write my own version of a book like that. (I am still, however, a bit puzzled that it would appear to me as such a small volume…)

     

I came home from my run that November afternoon and began writing. I went on to write about 80 pages and an outline over the rest of the month and through December. (This is, so far, the only time I have ever committed to an extended stretch of writing in the afternoons—I am most definitely a morning writer!)

   I didn’t come back to the manuscript until the following spring and summer, when I finished a first draft-- also accruing, along the way, a notebook full of the results of historical research.  Over the next two years I kept writing, editing, and revising, finishing an 8th--and final-- draft in the summer of 2012.

   

     THE LAKE OF LIVING WATER shows some traces of the mystery/detective genre, but I have no doubt that it is ultimately a strange and not easily categorized novel.  I accept this, knowing that in writing this book I have done everything I can to get to the heart of my own perceptions of --and connections to-- the mystery and power of the lake and shoreline that inspired it.
 
                                                                                   -KMB

 
  You can order  THE LAKE OF LIVING WATER  here:
               
http://www.lulu.com/shop/kevin-macneil-brown/the-lake-of-living-water/paperback/product-20419011.html

Also available in Kindle edition:
    http://www.amazon.com/The-Lake-Living-Water-ebook/dp/B009JJQZMA/ref=sr_1_1?ie=UTF8&qid=1349301457&sr=8-1&keywords=the+lake+of+living+water


Sunday, September 30, 2012

in october mist, begin a journey (music for steel guitar)

A new composition, made today, on a rainy autumn morning. I recorded in one take on a triple-neck steel guitar, playing across all three necks (C6, A6, E13). Afterward, I spent an hour processing the recording, until I had a sound painting that conveyed the energies I wanted to express. -KMB, 9/30/12

Tuesday, September 18, 2012

River, September

                                 Winooski River Bend, September- photograph by kmb.




September morning, on a drifting

run, I followed River:

 

  wellspring

   root

   branches.

 

 

My eyes and heart were caught

by slow journeys of mist

wending north-westward.

 

At Cold-Stone Inlet

I found my boat

 

and put in.

 

Now I am

unmoored and fully blessed.


   - Kevin Macneil Brown

     

Monday, September 03, 2012

Winooski River, September

Winooski River Bend, September- painting by Kevin Macneil Brown, watercolor on paper, September 2012.




In the morning, the bell-and-buoy

voices of birds

to mark a sky channel.

 

And then, after lift

of silver fog,

a stillness.

 

In trees, in grass,

the green of growth

held in sere suspension.

 

This is September, when the river sheens and mirrors,

 reflecting the ripeness of journeys fulfilled,

 in depths, in shallows, beyond shadowed bend.
     

 -Kevin Macneil Brown

Monday, July 30, 2012

new music: viridian

VIRIDIAN WAVES was conceived as a half hour immersion in overlapping waves of sound color-- deep greens, blues, rust, and white light.. The piece has its source in a single steel guitar improvisation recorded at Christ Episcopal Church in Montpelier, Vermont in June 2012. Subsequent reworking of this material preserved the tonality, harmonic motion, and proportions of the improvisation, while exploring spatial, timbral, and temporal transformations. - kmb

Thursday, July 26, 2012

island horizon- for marsden hartley (painting.)


ISLAND HORIZON- FOR MARSDEN HARTLEY- painting by Kevin Macneil Brown, watercolor and gouache on paper, 2012.

Saturday, July 07, 2012

high summer meditations (poem and painting.)

Meditation, High Summer (For Thomas Merton) -painting by Kevin Macneil Brown, watercolor and gouache on paper, July 2012.


----------------------------------------


Past dry creek-bed
in dark hemlock-shadowed
summer woods

Parabola
of hermit thrush song
spilling
into rill of
amost-silence

Now to compass
an infinity

No longer enclosed within
muffled greenwood
echo

But instead

Streaks of quicksilver
to stir and shard
the rust-blood
heart of this morning.

 -Kevin Macneil Brown







Thursday, June 28, 2012

from dawn to dusk, the longest days...(new paintings.)

Woodland Map, Summer Solstice; Dusk Journey, Summer Solstice. Paintings by Kevin Macneil Brown, watercolor on paper(s), June 2012

Monday, June 18, 2012

christ church dark skies almost rain ( art walk improv.)

At the Montpelier Art Walk opening for my art exhibit at Christ Church, I had some wonderful conversations, many of them turning toward water and memory. When people got curious about the steel guitar in the corner, I played some soundscapes for them. I think the shared watery remembrances got into the music. 

Saturday, June 02, 2012

Art Exhibit in Montpelier, Vermont, June 2012

Kevin Macneil Brown will exhibit a selection of paintings in watercolor and acrylic at the Christ Episcopal Foyer in the Parish House, Montpelier, Vermont, from June 8 through the end of the month. An opening reception will be held during Montpelier Art Walk, Friday, June 8, from 5 – 7:30 PM, with the artist presenting original music/ sound art to accompany the images.

Kevin Macneil Brown makes art inspired by the revelations and mysteries of shorelines and mountains in New England light. “I spend a lot of time outdoors in nature, in motion and meditation,” Brown says, “and the layers of the landscape, of water and landforms, of a perceived past and present, come alive with something that I just need to explore and convey.”



In particular, the changing waters and mountainous horizons of Lake Champlain offer a deep connection and communion, and Brown engages with those energies in visual art, writing, and musical composition.


The exhibit space will be open Mondays through Thursdays, 10-5.

Monday, April 02, 2012

New Music: DEPTH OF PLACE & THE INNER HARBOR

I am in love with changing light, with the colors, textures, and resonances of sky, water, and landforms. Something inside me vibrates when I experience these things. That's why I make this music. -KMB

Thursday, March 22, 2012

Coming Soon: DEPTH OF PLACE AND THE INNER HARBOR

My new collection of contemplative compositions and soundworks will be available in April

DEPTH OF PLACE AND THE INNER HARBOR is a collection of recent music inspired by sense of place: by light and water, by liminal horizons and quiet journeys.

Here is some video capturing part of a recording session for the composition "Depth of Place"-- tracking steel guitar and live looping:


DEPTH OF PLACE AND THE INNER HARBOR will be available for download in a variety of digital formats, and also in a limited edition hand-packaged CD-R version.

-KMB

Sunday, March 11, 2012

Secret Shores, Spring Horizons




SECRET SHORE 1, 2, and 3--paintings by Kevin Macneil Brown, watercolor on paper, 2012
Craving a new season's light on familiar waters, for a few weeks in late winter I tuned my palette to reflect and evoke something between memory and new horizons.
-KMB